Art & Culture
august (adj): A Timeless Exploration of Inner Worlds at Flowers Gallery

Flowers Gallery presents august (adj), a group summer exhibition running from 7 to 30 August, 2025. The exhibition brings together paintings and sculpture made between 1960 and 2005 by artists who have exhibited with the gallery over the past fifty years

Featuring thirteen artists—Stephen Chambers RA, Bernard Cohen, Edward Dutkiewicz, Amanda Faulkner, Nicola Hicks, Derek Hirst, Lucy Jones, Michael Kidner RA, John Kirby, Tom Phillips RA, Jack Smith, Richard Smith, and Renny Tait - august (adj) is a vivid and wide-ranging presentation of colour, form, and feeling.

Renny Tait, London Pub - Blue Sky, 1997 Oil on canvas 122.5 x 163 cm
Tom Phillips, Map Walk Art on the Road, Circa 1970 Oil on canvas 20.5 x 15.5 cm

Through the dialogues formed between the artworks, the exhibition at Flowers Gallery explores how artists visualise internal realities, whether emotional, psychological, or social. From Bernard Cohen’s painterly maps of thought to Amanda Faulkner’s layered expressions of identity, and from Jack Smith’s silent musical abstractions to Renny Tait’s dreamlike, geometric structures, each work gives form to the unseen.

Bernard Cohen, Inside Outside, 1974 signed BERNARD COHEN (on the frame verso) Acrylic on canvas 96.5 x 96.5 cm
Amanda Faulkner, Untitled, 1985 Pastel chalk and charcoal on paper 112 x 91 cm
Jack Smith, Touching on Black, 1992 Oil on canvas 152.5 x 152.5 cm

Some artists take the self as subject, like Lucy Jones, whose bold colour and brushwork reflect how we see and are seen. John Kirby's quietly surreal figures explore the complexities of gender, religion, and sexuality, while Stephen Chambers’ curious cast of characters hover between worlds, playfully enigmatic yet psychologically charged.

Lucy Jones, The Boat, c.1989, Oil on canvas, 175 x 213 cm
John Kirby, In Another Country, 1998 Oil on canvas 92 x 71.5 cm
Stephen Chambers, Gap, 2005 Oil on canvas 40.5 x 35 cm
Stephen Chambers, St. Cnut, 2004 Oil on canvas 40.5 x 35 cm
Stephen Chambers, St. Just, 2005 Oil on canvas 40.5 x 35 cm

Others, like Michael Kidner and Richard Smith, approach perception through structure and rhythm, using pattern, repetition, and scale to create sensory impact.

Michael Kidner, Orange and White Painting, 1960 Oil on canvas, 152.5 x 99.5 cm
Richard Smith, Surface I, 2009 Acrylic on canvas 101.6 x 106.68 cm

Sculptors Nicola Hicks and Edward Dutkiewicz bring two distinct approaches to form and feeling. Hicks draws on the physicality and psychology of the animal world, creating vividly animated figures rendered in straw and plaster, and painstakingly cast into bronze. In contrast, Dutkiewicz’s colourful, abstract shapes radiate joy and movement, underpinned by personal struggle. 

Nicola Hicks, Puppy, 2004 Bronze 39 x 68 x 18 cm
Nicola Hicks, Maquette for Big Horse, 2002, Bronze, 60 x 72 x 17 cm
Edward Dutkiewicz Dancer 5, 1994 Acrylic on steel 80 x 100 x 77 cm

Tom Phillips and Derek Hirst introduce ideas of place and memory through layered symbols and maps, Phillips drawing from urban walks and daily life, Hirst channeling global traditions and Native American art, as seen in Cherokee Paqueno,1973.

Derek Hirst, Cherokee Paqueno, 1973 Cryla on relief panel 76.3 x 51 cm

august (adj) reflects on how we navigate the space between what is felt and what is seen, and how, across decades and practices, artists have found distinct and powerful ways to make those experiences visible.

Words: Sphere Editorial
Published on July 21, 2025